He Likes Me for Me (Louis Toliver Jr

He Likes Me for Me (Louis Toliver Jr - Swartz, LA)

What boy doesn't think he wants to be some girl's Romeo?

Why do we reference such a tragedy as devotion?

It’s the 2lst century

I see more and more

How many boys want to be Juliets

Will another man ever come to love us so?

I do know there is someone, for everyone

But I can’t help wondering

Will he like me for me?

Will he love my scars?

To tell me their beautiful

That someone, that someone

Boy or girl, man or woman

We’re all waiting for that someone

The appearance of love

Much more glamorous than the struggle

The scars make love more beautiful

Will he like me for me?

Not just say he understands me

Then walk way feeling confused

Will he like me for me?

I think he already does

He just hasn’t seen me yet

Only those special someones can see you

There’s nothing more romantic

Than when you open up your struggle

He does the same

You stick together like glue

That’s love through all its glory

Comments

Come Hither (Annette Redmond Walters - Lafayette, LA)

I meant it not this way but the tears just flow and my makeup smearing all the more, leaving behind that familiar filthy residue. I may have begun to drive myself away, dragging you down as well. But it's done, I've flipped the switch and now it's dark once more. How painful is the music to my ears, I can't stand to be alone in it, yet here I am again. I pray you fly back and safely and warmly to me, though I fear I've dug the grave too deeply. As the dirt shifts within my soul, I choke on those loving words I'd meant for you. All the fragments of light I see becoming smaller and I wish to be near you in your embrace that might make me feel the warmth I'm missing. And in reality, I doubt I'd breathe another breath without you. So come hither and quickly soothe my dying heart, you are the only cure I know. I cry and cry again, come hither to heal and love me. Come hither and help me dry my tears.

Let That Fucker Burn (John Chenvert - Napoleonville, LA)

Let that fucker burn. Let the fire crackle like the whips once did— like bone meeting leather, like screams swallowed by the trees. Let the white columns crumble to ash. Not as tragedy— but as truth, unearthing itself from beneath generations of silence. Nottoway is not a mansion. It’s a mausoleum. A lie carved in stone to honor the hands that held the whip, not the backs that bore it. They called it the “White Castle.” A place of beauty. A place for weddings, for photo ops, for pretending that horror can be made elegant if the curtains match the guilt. But no paint can cover what happened there. Blood doesn’t wash out with white linens. And pain doesn’t forget just because you renamed it history. I’m not Black. And I won’t pretend to carry that weight. But I also won’t ignore it. My people—the Guanches—were taken too. Our language silenced. Our land stolen. Our names nearly erased. So yes, I know colonization. Yes, I know what it means to be disappeared. But I also know this— my skin ...

The Peculiar New Room (Nick Perere - Baton Rouge, LA)

A peculiar fourth room has appeared in my three bedroom abode. High ceilings Higher than any ceiling in the house Perfectly pristine whitewashed gallery walls The largest window one can imagine Stretching from floor to ceiling Wide as an ocean’s horizon Revealing the lushest greenery and the bluest skies. I am meant to show masterpieces here. But in one of the corners o f the perfectly pristine whitewashed gallery walls i s an ugly patch of dirt. Dirt darker than charred coal. And the dirt is crawling And multiplying. With their spindly legs and dangly antennae Vermin covered in filth and willingly ready to spread their germs Scuffing the perfectly pristine whitewashed gallery walls. But I have to move on, I have a gallery to exhibit. Smile and act as if nothing is wrong. Come. Enjoy the show. Enjoy the artwork hanging Upon the perfectly pristine whitewashed gallery walls.

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